A great recurring character in a series you love becomes an old friend. You learn about their strange quirks and their haunted pasts and root for them every time they face danger. But where do some of the most fascinating sleuths in the mystery and thriller world really come from?<br><br>What was the real-life location that inspired Michael Connelly to make Harry Bosch a Vietnam vet tunnel rat? Why is Jack Reacher a drifter? How did a brief encounter in Botswana inspire Alexander McCall Smith to create Precious Ramotswe? In THE LINEUP, some of the top mystery writers in the world tell about the genesis of their most beloved characters--or, in some cases, let their creations do the talking.

What makes good drama? And why does drama matter in an age that is awash in information and entertainment? With bracing directness and aphoristic grace, the Pulitzer Prize-winning playwright of Glengarry Glen Ross delivers a thrillingly original treatise on his art.

To David Mamet, human beings are drama-creating animals who impose narrative structures on everything from today's weather to next year's elections. Mamet distinguishes true drama from its false variants, unravels the infamous "Second-Act Problem," amd considers the mysterious persistence of the soliloquy. Three Uses of the Knife is an inspired guide for any playwright or theatergoer that doubles as a trenchant work of moral and aesthetic philosophy.

On the day she turned seventy-seven, internationally acclaimed mystery writer P. D. James embarked on an endeavor unlike any other in her distinguished career: she decided to write a personal memoir in the form of a diary. Over the course of a year she set down not only the events and impressions of her extraordinarily active life, but also the memories, joys, discoveries, and crises of a lifetime. This enchantingly original volume is the result.

Time to Be in Earnest offers an intimate portrait of one of most accomplished women of our time. Here are vivid, revealing accounts of her school days in Cambridge in the 1920s and '30s, her happy marriage and the tragedy of her husband's mental illness, and the thrill of publishing her first novel, Cover Her Face, in 1962. As she recounts the decades of her exceptional life, James holds forth with wit and candor on such diverse subjects as the evolution of the detective novel, her deep love of the English countryside, her views of author tours and television adaptations, and her life-long obsession with Jane Austen. Wise and frank, engaging and graceful, this "fragment of autobiography" will delight and surprise P. D. James's admirers the world over.

The core of the book is Emerson’s personal take on writing and selling historical mysteries, but it also includes contributions from over forty other historical mystery writers —practical advice, anecdotes, and suggestions for research—and input from assorted editors, booksellers, and reviewers. For both historical mystery writers and readers.

Edgar award nominee James N. Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, <i>How to Write a Damn Good Novel II: Advanced Techniques, and <i>The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery.<br><br>Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot."<br><br>Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world.

Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing.

This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.

Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the "likeable criminal"; going from first draft to final draft; and writing the suspense short story.
Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.<br><br>Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.

Writing mystery fiction can be a special kind of puzzle. In this new, revised edition of the Mystery Writers of America classic, Sue Grafton weaves the experience of today's top mystery authors into a comprehensive mystery writing "how-to." Writers will learn how to piece a perfect mystery together and create realistic stories that are taut, immediate and fraught with tension.

The book's contributors include a "who's who" of the mystery writing elite: Faye and Jonathan Kellerman on conducting accurate research; Michael Connelly on mastering characterization; Tony Hillerman on writing without an outline; Lawrence Block on overcoming writer's block; Sara Paretsky on creating successful series characters; Tess Gerritson on writing the medical thriller; Ann Rule on the art of writing true crime. And many more!

How to write a page-turner is no mystery with this thorough and authoritative guide. Successful mystery writer Hallie Ephron's Writing and Selling Your Mystery Novel:

-Features comprehensive instruction, exercises, and worksheets for mystery writers of all levels

-Addresses all subgenres of mystery from hardboiled crimes and cozies to romantic thrillers and medical mysteries <P>-Covers how to grab readers from the first chapter, how to construct effective plots, and how to revise and submit mysteries to publishers

Ephron takes the mystery out of the writing process, making it less daunting for beginners and more efficient for experienced writers.

Have you ever thought about writing a mystery, and gave up the idea because you weren't sure how to start it? Well now is your chance to go out and write that mystery you have always dreamed of. You Can Write A Mystery, written by Gillian Roberts, author of the Anthony Award-winning Amanda Pepper Series, will help you start your mystery and guide you through to the end.

"The 'rules' that govern the mystery are the rules that govern all fiction. Every novel needs suspense and drama," says Roberts. With this book you'll learn how to build your story from the grave up. Roberts focuses on what she calls the "SEVEN C'S", why you need them and how they help your story. She offers examples and exercises that will help you complete your story filled with cliffhangers, intriguing characters and hooks. This book also offers practical suggestions for handling problems likely to arise during the writing process. Along the way, Robert's will teach you:

- The 15 commandments for mystery
- How to design your sleuth<BR> - The Seven Cs your book can't do without - characters, conflict, causality, complications, change, crisis and closure
- How to hide clue, and exploit red-herrings<BR> - Research techniques
- How to develop a style, find a tone and construct a killer plot

You Can Write A Mystery, offers practical guidance for the first-time writer. Its easy-to-understand format will help the most amateur to become a mystery writer. In addition to the practical writing advice supplied, Roberts also offers expert advice for editing, revising and submitting a top-notch manuscript.

A complete reference source for writers of TV, film, mysteries, thrillers, action/adventure, romantic suspense, and psychological mysteries. This complete guide features accurate information about every aspect of crime, from weapons to police departments to crime jargon to standard operating procedures for criminals. Covers numerous aspects of crime and outlines general rules of thumb for writing. Also details specific policies and procedures of various law enforcement agencies.

KEY FEATURES: * The perfect companion book for all writers looking to add crackling accuracy and tension to their crime novels or scripts.

* Updated information and Foreword by Sgt Rey Verdugo, Top Criminal Investigator and Technical Consultant for Film and TV. <P>* An invaluable reference with practical material road-tested in crime writing workshops given by Roth and Verdugo.