A knock on Spenser's office door can only mean one thing: a new case. This time the visitor is a local lawyer with an interesting story. Elizabeth Shaw specializes in wills and trusts at the Boston law firm of Shaw & Cartwright, and over the years she's developed a friendship with wives of very wealthy men. However, these rich wives have a mutual secret: they've all had an affair with a man named Gary Eisenhower- and now he's blackmailing them for money. Shaw hires Spenser to make Eisenhower "cease and desist," so to speak, but when women start turning up dead, Spenser's assignment goes from blackmail to murder.<BR><BR> As matters become more complicated, Spenser's longtime love, Susan, begins offering some input by analyzing Eisenhower's behavior patterns in hopes of opening up a new avenue of investigation. It seems that not all of Gary's women are rich. So if he's not using them for blackmail, then what is his purpose? Spenser switches tactics to focus on the husbands, only to find that innocence and guilt may be two sides of the same coin.<BR><BR> With its eloquently spare prose and some of the best supporting characters to grace the printed page, <I>The Professional is further proof that "[t]here's hardly an author in the crime novel business like Parker" (<I>Pittsburgh Post-Gazette).

When a dying millionaire hires Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

"Chandler [writes] like a slumming angel and invest[s] the sun-blinded streets of Los Angelos with a romantic presence."
--Ross Macdonald

"Robert B. Parker has taken his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald".--The Boston Globe.

Taking the mystery community by storm, this Elvis Cole novel was nominated for the Edgar, Anthony, Shamus, and Macavity awards and won both the Anthony and Macavity for Best Novel of the Year. Crais, a VP at Paramount, was previously head script writer for Quincy, Hill Street Blues, and Cagney and Lacey.

A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own.<br><br>With a contract out on his life, he heads for the Maine woods, determined to give a puny 15 year old a crash course in survival and to beat his dangerous opponents at their own brutal game.

Appie Knoll is the kind of suburb where kids grow up right. But something is wrong. Fourteen-year-old Kevin Bartlett disappears. Everyone thinks he's run away -- until the comic strip ransom note arrives.

It doesn't take Spenser long to get the picture -- an affluent family seething with rage, a desperate boy making strange friends...friends like Vic Harroway, body builder. Mr. Muscle is Spenser's only lead and he isn't talking...except with his fists. But when push comes to shove, when a boy's life is on the line, Spenser can speak that language too.

"Spenser is everyman's fantasy: social critic, gourmet cook, physically fit, sculptor, and of course, unabashed participant in a non-destructive sexual relationship. Parker has taken his place beside Dashiell Hammett, Raymond Chandler and Ross MacDonald." (The Boston Globe)

Summer, 1968. Martin Luther King and Robert Kennedy are dead. The assassination conspiracies have begun to unravel. A dirty-tricks squad is getting ready to deploy at the Democratic Convention in Chicago. Black militants are warring in southside L.A. The Feds are concocting draconian countermeasures. And fate has placed three men at the vortex of History.

Dwight Holly is J. Edgar Hoover’s pet strong-arm goon, implementing Hoover’s racist designs and obsessed with a leftist shadow figure named Joan Rosen Klein. Wayne Tedrow—ex-cop and heroin runner—is building a mob gambling mecca in the Dominican Republic and quickly becoming radicalized. Don Crutchfield is a window-peeping kid private-eye within tantalizing reach of right-wing assassins, left-wing revolutionaries and the powermongers of an incendiary era. Their lives collide in pursuit of the Red Goddess Joan—and each of them will pay “a dear and savage price to live History.”<br><br>Political noir as only James Ellroy can write it—our recent past razed and fully reconstructed—Blood’s A Rover is a novel of astonishing depth and scope, a massive tale of corruption and retribution, of ideals at war and the extremity of love. It is the largest and greatest work of fiction from an American master.

Sam Spade, a slightly shop-worn private eye with his own solitary code of ethics, stars in Hammett's detective fiction, a novel that has haunted 2 generations of readers.

Acclaimed mystery author Robert B. Parker continues to win an even greater audience with each new Spenser novel. For all crime fiction lovers who discovered Parker through his latest bestsellers "Pastime" and "Double Deuce", his entire Dell backlist is now available in attractively repackaged editions.

Everybody loves a winner, and the Rabbs are major league. Marty is the Red Sox star pitcher, Linda the loving wife. She loves everyone except the blackmailer out to wreck her life.

Is Marty throwing fast balls or throwing games? It doesn't take long for Spenser to link Marty's performance with Linda's past...or to find himself trapped between a crazed racketeer and an enforcer toting an M-16. <P>America's favorite pastime has suddenly become a very dangerous sport, and one wrong move means strike three, with Spenser out for good!