Mackenzie Allen Philips' youngest daughter, Missy, has been abducted during a family vacation and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later in the midst of his Great Sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack for a weekend. Against his better judgment he arrives at the shack on a wintry afternoon and walks back into his darkest nightmare. What he finds there will change Mack's world forever. In a world where religion seems to grow increasingly irrelevant "The Shack" wrestles with the timeless question, "Where is God in a world so filled with unspeakable pain?" The answers Mack gets will astound you and perhaps transform you as much as it did him. You'll want everyone you know to read this book!

You can't run

Detective Alex Cross is pulled out of a family celebration and given the awful news that a beloved relative has been found brutally murdered. Alex vows to hunt down the killer, and soon learns that she was mixed up in one of Washington's wildest scenes. And she was not this killer's only victim.

You can't hide<br><br>The hunt for her murderer leads Alex and his girlfriend, Detective Brianna Stone, to a place where every fantasy is possible, <i>if you have the credentials to get in. Alex and Bree are soon facing down some very important, very protected, very dangerous people in levels of society where only one thing is certain--they will do anything to keep their secrets safe.

Alex Cross is your only hope to stay alive<br><br>As Alex closes in on the killer, he discovers evidence that points to the unimaginable--a revelation that could rock the entire world. With the unstoppable action, unforeseeable twists, and edge-of-your-seat suspense that only a James Patterson thriller delivers, I, Alex Cross is the master of suspense at his sharpest and best.

Lisbeth Salander—the heart of Larsson’s two previous novels—is under close supervision in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: when she’s well enough, she’ll stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will have to prove her innocence, and to identify the corrupt politicians who have allowed the vulnerable, like herself, to suffer abuse. And, on her own, she will plot her revenge—against the man who tried to kill her and the government institutions that very nearly destroyed her life.

Once upon a time, she was a victim. Now Lisbeth Salander is ready to fight back.

<strong>Best case: survival

The son of one of New York's wealthiest families is snatched off the street and held hostage. His parents can't save him, because this kidnapper isn't demanding money. Instead, he quizzes his prisoner on the price others pay for his life of luxury. In this exam, wrong answers are fatal.<br><br><b>Worst case: death

Detective Michael Bennett leads the investigation. With ten kids of his own, he can't begin to understand what could lead someone to target anyone's children. As another student disappears, one powerful family after another uses their leverage and connections to turn the heat up on the mayor, the press--anyone who will listen--to stop this killer. Their reach extends all the way to the FBI, who send their top Abduction Specialist, Agent Emily Parker. Bennett's life--and love life--suddenly get even more complicated.

This case: Detective Michael Bennett is on it<br><br>Before Bennett has a chance to protest the FBI's intrusion on his case, the mastermind changes his routine. His plan leads up to the most devastating demonstration yet--one that could bring cataclysmic devastation to every inch of New York. From the shocking first page to the last exhilarating scene, Worst Case is a non-stop thriller from "America's #1 storyteller" (Forbes).

Cocktail waitress Sookie Stackhouse is no typical Southern belle. She can read minds. And she's got a thing for vampires. Which, in a town like Bon Temps, Louisiana, means she'll have to watch her back-and neck...

Includes:<BR><BR> Dead Until Dark
Living Dead in Dallas
Club Dead
Dead to the World
Dead as a Doornail <BR> Definitely Dead
All Together Dead
From Dead to Worse <BR><BR>

C alling <I>T is for Trespass "taut, terrifying, transfixing and terrific," USA Today went on to ask, "What does it take to write twenty novels about the same character and manage to create a fresh, genre-bending novel every time?" It's a question worth pondering. Through twenty excursions into the dark side of the human soul, Sue Grafton has never written the same book twice. And so it is with this, her twenty-first. Once again, she breaks genre formulas, giving us a twisting, complex, surprise-filled, and totally satisfying thriller.

It's April, 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot but he's willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications?

Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner-"a heroine," said <I>The New York Times Book Review, "with foibles you can laugh at and faults you can forgive."

Four famed '60s radicals are gunned down at long range by a sniper. Under enormous media scrutiny, the FBI quickly concludes that Marine war hero Carl Hitchcock, whose ninety-three kills were considered the leading body count tally among American marksman in Vietnam, was the shooter. But as the Bureau, led by Special Agent Nick Memphis, bears down, Hitchcock commits suicide. In closing out the investigation, Nick discovers a case made in heaven: everything fits, from timeline, ballistics, and forensics to motive, means, and opportunity. Maybe it's a little too perfect.<P>Nick asks his friend, the retired Marine sniper Bob Lee Swagger, to examine the data. Using a skill set no other man on earth possesses, Swagger soon discovers unseen anomalies and gradually begins to unravel a sophisticated conspiracy -- one that would require the highest level of warcraft by the most superb special operations professionals. As Swagger penetrates the deepest secrets of the sniper world and its new technology, Nick stands firm in the face of hardball PR initiatives and an inflamed media calling for his ouster.<P>Swagger soon closes in, and those responsible will stop at nothing to take him out. But these heavily armed men make the mistake of thinking they are hunting Bob, when he is, in fact, hunting them.<P><I>I, Sniper will satisfy Stephen Hunter's legions of fans and win him droves of new ones with its signature blend of brilliant plotting, vivid characters, razor-sharp dialogue, and extraordinary gunfights. And when Swagger and the last of his antagonists finally face each other, reenacting a classic ritual of arms, it is clear that at times there's nothing more necessary than a good man with a gun and the guts to use it.